THE TEMPESTUOUS TRIANGLE
by Barbara Beyer Malley
and
Dr. Kathleen Malley-Morrison
by Barbara Beyer Malley
and
Dr. Kathleen Malley-Morrison
Reminiscing Julie (rising from chair she will occupy stage
left throughout the play)
Welcome, everyone. I’d like to give you a preview of this
play, which takes place in the 90s and involves 4 characters.
Charles Griffeth is a male chauvinist
56-year-old high liver, unfaithful to his wife for years, sees no reason why
he shouldn’t have his cake and eat it too. He’s the dynamic owner of vacation homes,
boats, and planes.
Rob
Brennan is a boyish 53-year-old widower whom Julie met at Parents Without
Partners. As a bank teller, he barely makes ends meet for himself
and his two daughters. Conservative, inhibited, finicky, funny, he
adores Julie no matter how misguided her thinking.
Julie Griffeth, at 51, is
well-preserved (Charles’s term) and recently
separated. She keeps herself busy taking various courses and
volunteers every Saturday at The Samaritans. Unconventional, intensely liberal,
Julie adores Rob, despite his flawed views, most of which are the opposite of
hers. Then there's me, a decade later, your guide in this tangled web. As
Reminiscing Julie, I'll be commentating on what happened in the past,
introducing new scenes, and filling in the blanks when the characters can't
speak for themselves.
Okay, let’s get
started. Only two years before Charles and I separated, we had a
jesting conversation about divorce, inspired by a magazine article titled
“Should You Remarry a Man You’ve Divorced?” Dan Chadwick, Charles’s
lawyer and best friend, always maintained that once a couple divorces, they
don’t want any part of each other. Charles, intrigued, envisioned a
different scenario. I clearly recall our banter over dinner at the Esquire
Grill.
(Reminiscing Julie sighs, sits
down. Charles and Young Julie enter from stage right.)
Charles (thoughtfully): What
I would do is come to see you a couple of times a week. No evil
intentions, you understand—this would be just a friendly, platonic visit.
Julie: You’d better
call first. I might be out.
Charles: I’d bring you
a little present of some kind: flowers, perfume, candy—”
Julie: Just say money
and I’ll make a point of staying home.
Charles: I’d probably
bring a clean shirt and socks so I could shower and change . . .
Julie: Not in my bathroom,
you don’t. That sounds entirely too domestic to me.
Charles: All right, I’d
go to my apartment and freshen up there—but you understand we’d lose a lot of
time.
Julie: You should’ve
thought of that before the divorce, dum-dum.
Charles: Okay, so you
open the door and there I am. Let’s see, what do you
do? We’re civilized people, you’d probably lean over and give me a
little kiss on the cheek.
Julie: Not me!
Charles: Well,
what would you do—shake hands?
Julie: I’d take the present, and say, “You know I don’t eat candy!”
Charles (undaunted)): Then
we’d sit down and have a friendly little vodka martini . . .
Julie: I hope you
brought your own. I’ve turned the bar into a Health Nook.
Charles: I’d ask how
the kids were—
Julie: You should
know. You’ve got `em!
Charles: --and how your
mother was doing.
Julie: She’s making
good money painting. We certainly can’t get along on your alimony.
Charles (still undaunted): Then
I’d say, `Where would you like to go to dinner—The Red
Coach? Fox and Hounds? The Cabin?
Julie (sounding bored): Oh,
these decisions!
Charles (hanging in there):
All right, I’d sweep you off your feet and order a candlelit table for two at
Joanne’s Kitchen—
Julie (softening): You’re
reaching me—
Charles: Mildred would
say, “Mr. and Mrs. Griffeth, we haven’t seen you in a long time!
Julie: You’d pull out
my chair and help with my coat—
Charles: I’d play `our
song’ on the jukebox—
Julie (dreamily): “Too
Young.”
Charles (perking up and
singing the first line): “They tried to tell us we’re too young.”
Julie (taking Charles’s
hand and gazing into his eyes): And then I’d say, “Let’s
go home and pretend we’re married again.”
(Julie and Charles exit briefly
stage right.)
Reminiscing Julie: Although
I had loved Charles ever since we met when I was seventeen, his heavy weekend
drinking was a trial during our 30 years of marriage. I always consoled myself
with the thought that at least he wasn’t cheating like so many men in our
town. Then, like countless other wives, I found a
letter. I had been as naïve as any other last-to-know
wife. Stunned by my husband’s betrayal, I was haunted by questions: Who? Where?
When? How long?
I asked for a trial separation,
then discovered that being single again wasn’t all bad. I was free
to explore new worlds, including the world evolving inside my head. I
signed up for a seminar for recently divorced men and women and contacted
Parents Without Partners. I learned they excluded people whose
children were over eighteen—female people, that
is. Males, with or without children, were welcome as long as they
weren’t comatose. I argued and persisted until finally I was steered
toward a branch that accepted me despite the advanced ages of my
progeny. Could I help it if I'd been a child bride?
The first social event I attended
was a cookout at some woman's house. We strangers milled around in
her rumpus room, smiling brightly at each other, having nothing in common
except our unhappiness. After awhile I noticed we’d been joined by a
tall man with gray hair and glasses. "Well, here's another one," I thought,
glancing at him casually.
(Rob moves from stage right to
stand next to Reminiscing Julie.)
Rob (to audience): She looked at
me.
Reminiscing Julie: We had hardly exchanged names and a word or two when a
debonair individual with dark, slicked‑back hair asked me to
dance. "Let's get away from this crowd," he murmured in my
ear, tangoing me out the door. He drew together a couple of patio chairs, and
began explaining why I was so fortunate to have met him. I grew
restless immediately. I had the weird but insistent feeling that I was being
unfaithful to Rob. I stood up, told my smooth‑talking companion that
I was going back to the party, and left.
Rob (to audience): Of course I was worrying. How did I know she’d ever come back?
Reminiscing Julie: Rob was waiting for me. He appeared far
from prepossessing, but that was because I didn't know him yet. When
you're not in love, you can be quite blind. As weeks went by and my
vision cleared, Rob began to look more and more like Paul
Newman. Paul Newman with a sense of humor was irresistible. Rob (to audience): Of course I was worrying. How did I know she’d ever come back?
Rob (to audience):
The night I met her, I talked to myself out loud all the way
home. I had to talk to someone. “She
should be with me,” I’m saying. “Why am I not driving her home? I
was sure I’d be driving her home.”
(Rob returns to stage right, picks up a portable phone. Julie enters from stage left, sits down on desk chair near Reminiscing Julie.)
Rob (to audience): The minute I got home, I couldn’t wait to call her, although I wasn’t sure what I would say. (He lifts phone and dials, says “Ring, ring.”)
Rob (to audience): The minute I got home, I couldn’t wait to call her, although I wasn’t sure what I would say. (He lifts phone and dials, says “Ring, ring.”)
(Julie picks up her phone.)
Younger
Julie: Hello? (Pause.) Hello? (Pause.) Hello?
Anybody there?
Rob: (tentatively) Hello?
Younger Julie: Is that you, Rob?
Why didn't you speak up? I thought—
Rob: I figured you wouldn't be
home yet and started to hang up. Then I decided to wait for one
more ring.
Younger Julie: I’m glad you
did. I thought you were a sex maniac."
Rob: I'll do my best.
Reminiscing Julie: Affable,
easy-going, Rob was anything but a sex maniac. We did a lot of passionate
kissing, but not a word was said about B E D. At last he uttered that beautiful
three-letter word, but I didn’t want to seem too easy. I murmured, “We probably
should wait until we know each other better.”
(Looks at audience) What
a mistake that was! Reminiscing Julie sits. Younger
Julie stands and moves to stage right, beside Rob.
Rob (to audience): I
thought she’d give me some kind of signal when she decided we knew each other
well enough. Finally, one night I was at the door, kissing her
goodnight, and radiating enough heat to melt an igloo, when she said the magic
words. “Have you got five minutes?” It was the easiest question
she’d ever asked me.
Julie: It
felt so right for us to be together. I’m not religious, but it really
seemed like fate that I managed to get to that particular party at that
particular time. Doesn’t it seem like fate to you?
Rob: Actually, I don't
believe in things like predestination. Of course I could be wrong, and
when the time comes, if I find myself in Heaven, I'll just come right out and
admit it. (Looks at audience .)
I'll say, “You sure had me fooled, Your Bigness."
I'll say, “You sure had me fooled, Your Bigness."
(Rob exits, stage right. Charles
enters from stage right and begins pacing up and down.)
Charles: Julie, we need to have a
serious talk about this trial separation. It isn’t working out.
Julie: Okay, but not
for long. I’m expecting Rob in half an hour.
Charles: That guy you
met at Parents Without Partners? I hear he’s a bank
teller. What are you doing with an effing marshmallow like that?
Julie (Fires up
immediately): The same thing you were doing on
your effing business trips! Your secret double life! How
do you think it made me feel when you’d walk into the house with that smirk on
your face, that effing guilty smile of yours?
Charles (sitting down
beside Julie, and trying to take her hand): I’m truly sorry I
hurt you, Julie. I want you back in my life. Can’t you
find it in your heart to forgive and forget like other wives?
Julie (snatches her hand
away, jumps up, and starts pacing): Screw the other wives!
I need to know exactly what the hell I’m supposed to be forgiving! You clammed
up and never answered a single one of my questions. Tell me the
truth for once in your life! How long did this affair go on? Were there others I don't know about?
Charles: Only a few. (Julie
stops pacing and gasps loudly with a sharp intake of breath.) None of
them meant a damn to me, Julie, honest to God. The affair . .
.was a long time.
Julie (Staring accusingly
at Charles while she paces): How many years is a long
time? How many years was I trying to have a good marriage,
while you were getting drunk as a skunk every weekend and being arrogant and
hostile and not remembering the next day how the evening ended. Not
remembering whether I’d been kind and patient, which I tried to be because I
knew you weren’t yourself. Always assuming we’d probably had a
fight, and being cold to me for hours because you didn’t know how things
stood. Week after week, month after month. And was your
girlfriend seeing any of that? No. Did she
see you so drunk at 3 a.m. that you fell into bed unconscious, your snoring
rattling the rafters and making sleep impossible for me? No! While
she was getting the debonair, charming Charles, the wining, dining, romancing
and the I-love-yous, I was getting all the SHIT.
Charles: I swear I’ve
always loved you, Julie. You’re the only one I’ve ever loved or ever
will love.
Julie (still pacing, voice
rising to a shrewish pitch): Did you tell her that? Or
did you tell her your wife was a shrew and a nag, she was no good in bed, she
was a slob, or she got fat? What excuses did you invent for
justifying your cheating? Married men always come up with excuses
like that!
Charles: For what it’s
worth, I’m finally able to understand what you went through. I never
was able to feel your unhappiness before.
Julie: “I felt worse because
I didn’t deserve it. I had no one!. You had your
business, your squash, your trips, your golf, your girlfriends, you had all
those things, but my whole life was you.
Charles: You’re right.
You got a raw deal. Somehow I’m going to make it up to
you. We have a lot of good years ahead of us. (Wistfully) Come
on, Julie, let’s grow old together.
(Phone
rings. Julie picks it up, says, “Hi, Rob. Uh huh, me too.” Bursts
out laughing at something Rob says, “Okay, see you shortly if not sooner,” and
hangs up, smiling at Charles, her anger dissipated.)
Julie: You’d better go
now. (She walks with him to the door.) Charles, I
hope you’ll find someone else to love. I really do.
Charles: You might as
well ask me to amputate one of my arms.
(Charles exits stage
right) .
Reminiscing Julie: So,
I had a quandary. I found myself feeling sorry for Charles and wanting him to
be happy but not with me as his wife. I loved Rob and his offbeat
sense of humor, but I quickly learned that my notion of fun
was his notion of folly. Persuading him to share a
bowl of pot-laced pudding was like asking him to eat caterpillars. Reminiscing
Julie sits.
Julie: Rob, why aren’t
you eating your pudding?
Rob: Because it doesn’t
look edible. What's this little wormy thing? (Rob squeamishly
picks something out of the pudding and holds it up.
Julie: It's probably
something good, Rob.
Rob: Eugh! What’s
in here?
Julie: Just pudding,
peanuts, and pot. (She eats some of her pudding.) By
quarter of ten we should be in outer space.
(Rob hums a few bars of "It's
quarter to ten.")
Julie: Do you want some
cream on your pudding?
Rob: I don't even want
the pudding. How much pot is in here?
Julie: About a
cigarette and a half.
Rob: How much did this
stuff cost?
Julie: Twenty dollars
an ounce, forty altogether.
Rob: (Aghast.) You
paid forty dollars for these twigs? Holy
shit!
Julie: So don’t waste
your pudding, it's valuable. Where’s your sense of adventure?
Rob: I try to leave it
at home when I come here. (beat) Is this a recipe for
pot or for pudding? Why are the nuts in there?
Julie: This was
supposed to be Butterscotch Banana Delight, but I didn't have any bananas, so I
put in the peanuts. Then you're supposed to fold in whipped cream,
but I didn't have any whipped cream. (Rob stands up and walks toward
stage right. Julie raises voice several decibels.) ROB, WHERE ARE YOU GOING?
Rob: What are you
hollerin' for! I wasn't going far. There's a movie I want
to see on TV.
Julie: Eat your pudding
and then you can see it.
Rob: Gee. Fifty‑three
years old and I gotta eat my pudding before I can watch
television. (Cautiously samples a tiny bit of
pudding.) I'm glad I’ve never been able to throw
up. This is something I wouldn't want to taste a second time.
(To be continued)
(To be continued)
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