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Showing posts with label 143 ATLANTIC AVENUE. Show all posts
Showing posts with label 143 ATLANTIC AVENUE. Show all posts

Monday, August 20, 2018

THE HOUSE AT SANDY COVE CIRCA 1944 (1)

Captured Music

Breaking upon the shore, the bright waves leap
And play until the ebb-tide backward wells,
Leaving the lonely sand in silence, deep,
Save for the captured music of the shells.
Thus long ago, my children came to me,
And stayed until life bade them to depart,
Yet still upon the sands of memory
Their vanished laughter lingers in my heart.
                                   Ernestine Cobern Beyer


143 ATLANTIC AVENUE, COHASSET MASSACHUSETTS
     This isn’t what our house looked like when we moved in, after buying it for $12,500 in 1944. It isn’t even exactly what it looked like when we moved out, twenty-two years later. There was a time when I was sure I’d still be living there today. But it’s funny; life has a way of changing expectations.
      Welcome to Tears and Laughter at 90, where I peer back into decades of journal entries and letters and share bits from my book (Take My Ex-Husband, Please--But Not Too Far), plus a comedy co-authored by my daughter Kathie (The Tempestuous Triangle), plus my mother Ernestine's captivating poems (20 published in Poetry with a Purpose, Good Apple, Inc., 1987, an activity book available on Amazon), and excerpts from the Log of the Happy Days.
      The house on Sandy Cove was razed in 2002. When I heard the news I felt as if an essential part of me was gone, too. Our home for over two decades was replaced by a million-dollar edifice that dwarfed its neighbors  . . . even McKenna’s Mansion. Embellished with spires and turrets and pediments, it loomed over the adjoining homes that blended unaffectedly into their beach grass and scrub pine surroundings. In 2007, the alien sold for close to five million dollars. Kathie’s reaction: “I don't care if it sold for ten million dollars. To me, it will always detract from the beauty and charm of the Sandy Cove I remember.”
      In the spring of 1944, my husband and I were looking for a house in Cohasset, Massachusetts. Our home in Waban was an attractive colonial we had purchased for $6500 two years earlier, after Ed got a sizable raise to $65 a week, but it lacked one thing he was determined to have: an ocean.
      The realtor was about to pass a long driveway lined with venerable elm trees, when she slowed down and said, "There's a nice old house back there, but it's rented for the summer. You might want to take a look at the outside.”  We followed the realtor, our toddlers, Kathie and baby brother Teddy, in tow. We saw a rambling three-story shingled house with gables and ells, a large screened porch, and a shed covered with vines.  (watercolor below by Mom's friend Ruth Yount). Beyond the front porch, beach grass edged a meandering path leading to Sandy Cove.  In the middle of the cove there were two outcroppings of rocks, one much larger than the other. The rocks, our guide told us, had been been called "Big‑Big" and "Little‑Big" for as long as anyone could remember.
BIG-BIG AND LITTLE-BIG

                          A SHED COVERED WITH VINES                                        
      In the fall, after we moved in, four-year-old Kathie solved the mystery of the tides. “Look, Mummy, the rocks have gone out again!”   
      Our house was referred to as "the old Adams house" for most of the twenty-two years we lived in it. The key to a third floor bedroom was labeled "Uncle Charlie's room." Charlie, we deduced from local yore, was Charles Francis Adams, a descendant of John Quincy Adams and a frequent visitor to his relatives’ South Shore retreat. My mother, children’s poet Ernestine Cobern Beyer, lived with us in the summer and loved the view from Charlie's window as much as he must have. A trio she observed on the beach was the inspiration for "Sunbonnet Babies.”
     
                                  One wears a bonnet of organdy rose
                                  That hides her adorable bangs,
                                  And one wears a bonnet that shadows her nose,
                                  And one wears a bonnet that hangs.
                                  The first wears a pinafore (not very white!)
                                  The second, a dress that is tidy.
                                  But the belle of the beach is the third little mite
                                  With the slightly inadequate didy!
                                      (Ladies Home Journal, April 1949)
VAUGHAN AND VONNIE
   
       Opposite Mom’s bedroom lived Vaughan, my childhood caretaker, confidante, and faith-ful champion since I was eight years old. I thought of her as my second mother and had long ago promised her “a place by the chimney corner.” Although she was recovering from a double mastectomy, Vaughan couldn’t be deterred from pitching in when my current helper had a day off or went on vacation.
      She and Ernestine were devoted friends, although sweet dispositions could sour just the tiniest bit when one or the other won at Canasta unfairly often. When the weather turned cold-hearted, the two migrated to Florida and went their separate ways, Vaughan to a job in Miami near her son, Mother to Orlando.
      The second floor had four bedrooms, a plus when our family expanded. The one to the left of the stairway was assigned to Vonnie (Stephanie Vaughan), who arrived two years after Teddy. Next came the bathroom, whose claw-footed bathtub we eventually replaced with a modern one, installed under a small, high window that overlooked the driveway. Many was the time I hopped into that tub to make sure the children had caught their bus or Kathie’s on-the-loose horse, Heidi, before she found her way onto the pristine lawn of our neighbor, Mr. McKenna.
      The bedroom across from Vonnie’s overlooked Sandy Cove and belonged to Kathie. The third bedroom also had a view of Sandy Cove and was outfitted with bunk beds for Teddy and Timmy, the fourth child in the family, blessing us in 1946, the year I turned twenty-five. When the brothers reached a destructive age, boy-proof linoleum was installed. In a matter of months, a chemistry experiment involving acid marred the flooring, which didn’t come with a warranty.
VONNIE, TIMMY, TEDDY AND KATHIE   
      
      The master bedroom had an ocean-view study where I parked my desk, Royal typewriter, filing cabinet, and stacks of mending I was perennially unable to reduce. We didn’t tell the children they must knock before entering. Instead, my sagacious husband installed a bolt to guarantee our privacy. One night we forgot to use it. Ed, suffering from cold sores for two weeks, had been as grouchy as a bear and about as approachable.
      When his mouth cleared up, he was more like himself—a wolf. (rrruff!)  So we were cuddling, and I was catching up on the loving he owed me when we heard his visiting mother, Mimi, at the door.
      “Barbara, are you awake?”
      “No!” I said as convincingly as I could. In the same breath Ed snapped, “We’re asleep, go away!”
      “I brought up your bag, Barbara,” Mimi said, turning the knob. “I thought you might like—“
      “Leave it there, leave it there!” Ed said frantically.
      “I don’t need it right now, Mimi,” I said. “Leave it on the shelf outside and I’ll get it tomorrow.”
      “Oh. Well, all right. I hope I didn’t wake you up. I just thought you might want—“
      “Go away!” her son sobbed. Poor Mimi! Poor Ed!
      In the 40s and 50s, lacking a crystal ball, Ed and I were as unaware as any other young couple of the hazards that would ambush us in the future.            

I WISH ED'S COMPANY MANUFACTURED CAP PISTOLS. (2)

July 17, 1961
     Ed has departed on what he calls a Grand Tour for the purpose of selling himself as a sub-contractor to the various concerns most likely to be awarded the prime contracts.  He says four out of ten are sure bets already.
     One thing troubles me deeply and always will.  I wish Ed’s company manufactured cap pistols instead of honest-to-goodness-kill-people guns.  I realize our national defense program is important and necessary and that someone has to do it, but to profit by it seems all wrong.  Ed knows how I feel and agrees to an extent; but his argument is, “If I do a good job, why shouldn’t I be rewarded just as I would if I were a candy manufacturer or a travel agent or a tree surgeon?”
     To myself I say—because I shouldn’t plague the harassed man with my morbid imaginings —somewhere in Russia someone is putting a gun together.  Will it one day be pointed at Teddy or Timmy?
     It is fruitless to speculate along these lines.  I must look at it this way:  guns are being made to prevent a war.  Apparently that’s the way those who are running our government look at it.   Ed says everyone is entitled to a profit, including Funeral Directors.  Perhaps if it were up to me to provide a living for my family my conscience wouldn’t be so tender.  Many, many people look to my husband for help and support.  He has always been the soul of generosity, even when he himself was having trouble making ends meet.  He is a good man and I am a foolish woman to bemoan what can’t be helped.
    From: Kathie Malley-Morrison  
    Sent: Tuesday, October 04, 2011 5:48 PM
    To: 'Barbara Malley'
    Subject: RE: what about this??
        It sure gets at issues close to my heart. You are thinking about this for your blog?
   From: Barbara Malley 
   Sent: Wednesday, October 05, 2011 5:09 PM
   To: 'Kathie Malley-Morrison'
   Subject: FW: what about this??

       After sleeping on it, I have a feeling that people might be curious about what created our affluence.    My editor Colleen Mohyde asked the question when I was writing the introduction for Take My Ex.  The Army-Navy E is mentioned, but then it appears that the truck rental business was what supported our lifestyle.  Since this memoir has been honest about a lot of  unpleasant subjects, maybe I should go ahead and share my feelings as stated.
   From: Kathie Malley-Morrison
   Sent: Wednesday, October 05, 2011 5:56 PM
   To: 'Barbara Malley'
   Subject: RE: what about this??
       I can understand your wanting to share that info.  The line I dislike most is this one: "I must look at it this way:  guns are being made to prevent a war."  It is indeed what the spinners in DC have long wanted citizens to believe.  Sounds like something right out of Orwells’s 1984.  But publish it all if you wish.
   From: Barbara Malley
   Sent: Wednesday, October 05, 2011 9:09 PM
   To: 'Kathie Malley-Morrison'
   Subject: FW: what about this??
        That line was written for Ed because I felt disloyal about denouncing the way your father made a living. I was thinking of asking visitors from the US and abroad how they feel about the subject. I’ve had only that single comment from the Resort owner in South Africa who liked my golfing story about Ed, but maybe the seriousness of this topic will prompt responses. I would like very much to get a dialogue going and to cite your blog, http://engagingpeace.com as an example of one small voice shouting objections to Drones and war in general.

WELL, THE WINGS WERE ON IT WHEN I LEFT THIS MORNING. (3)


November 20, 1966
Westwood
       We had a lot of fun yesterday going to the Harvard-Yale football game, then on to a party at the Hills, who presented us with an album of candid pictures of ourselves and friends at recent parties.    
The captions were hilarious and Marguerite further enlivened the pages with drawings in the margins. Ed and I were  touched by all the time and trouble taken by the gang at this second party for us.
PRESENTED ON NOVEMBER 19, 1962
.     Pictures were taken of us looking at the photos, and Marguerite said, "Of course these will have to be added to the album -- this album and these parties could go on forever!"
     But of course they couldn't.  As of February, 2012, most of the guests have departed permanently, with a few exceptions such as Blake Thaxter, Connie Barnard, Dottie Remick, and your correspondent tearsandlaughter at 90.





JAYNE AND BLAKE (BARRISTER) THAXTER
  WATCH IT, DEAR, THE TABLE MAY BE BUGGED . . .


FUNNY. . .
 
RAY AND DOTTIE REMICK, CHARTER MEMBERS OF THE HARD CORE
                                                                         

                                            LOUIS EATON RIVALED FRED ASTAIRE ON THE DANCE FLOOR,
                                                                  BUT ONE TWIRL BROKE HIS PARTNER'S LEG.
May 1992
     I attended the Eatons' 50th wedding anniversary celebration at the golf club.  I looked rather fetching for a woman almost seventy‑one, I thought.  A friend had given me a dress she'd outgrown, brightish blue with an abstract design in white swirls, coming barely to my knees.  With white pumps and a white chiffon scarf camouflaging my unswanlike neck, I could have easily passed for sixty if I weren't attached to these 100‑year‑old hands and arms.  Get real, Barbara. How would you write in your journal if you weren't attached to your arms?
     I danced with two eligible bachelors and, as usual, with ineligible Louis.  He swept me into his Fred-and-Ginger routine, gazing down at me soulfully.  I've never known how to cope with that gaze.  Do I stare back at him soulfully with my left eye turning in, as it's prone to do under stress?  He twirled me and swirled me with abandon, luckily not breaking my leg as he did his sister-in-law's (or so he told me between swirls).  I quit gazing soulfully and began watching my feet.                              
SALLY (ONE OF THE STEWED TOMATOES BRIDGE GROUP) AND WHITEY BREWER


  BLAKE THAXTER, PARTY ANIMAL AND ED'S BEST FRIEND
(TO MY OCCASIONAL DESPAIR)


MARYLIN AND PORTER JOHNSON


THAT'S SCARY!!


CONNIE AND JACK BARNARD

PRE-TEEN TIMMY GAVE OUR BRIDGE FOURSOME THE GIGGLES
OVER HIS FASCINATION WITH CONNIE FOR TWO OBVIOUS REASONS . . .

TIMMY AT TWELVE

IT'S A DIFFERENT PARTY, BUT THE TWO REASONS ARE MORE OBVIOUS

BETTY AND PAUL DUSOSSOIT

MY MOTHER LOVED TO TELL US THAT THE DEUCES WILD CALLED WHILE WE WERE OUT.

TOM AND CELESTE CHURCHILL
     I finally figured out why we were getting all this attention -- in the nick of time, too, because it was beginning to go to my head.  The thing is, when people move to Cohasset, they never, ever, move away! This makes us unique, you see, and provides our friends with a fine excuse for giving a party. . . .
      I do enjoy seeing them all once in awhile but find that Westwood's quiet life holds much more appeal.  I don't feel the least bit lonesome when I'm here alone but instead enjoy the peacefulness of looking out at the pond and the squirrels scurrying around preparing for the onset of winter. And of course we're right next door to  Norwood Airport, which is a big plus. . . .





FUNNIEST!
                                                      



MARGUERITE, CLEARLY RECOVERED FROM HER MORNING AFTER, LOOKS BEAUTIFUL.  ONE  OF HER CHILDREN TOLD ME SOMETHING THAT TOUCHED ME DEEPLY WHEN I WENT TO HER WAKE.  MY MEMOIR* WAS OPEN ON HER BEDSIDE TABLE WHEN SHE DIED.  


* Take My Ex-Husband, Please --But Not Too Far, Little, Brown and  Company, 1991

I FINALLY FIGURED OUT WHY WE WERE GETTING ALL THIS ATTENTION. (4)


WE THOUGHT WE'D MADE OUT LIKE BANDITS IN 1968 WHEN WE SOLD OUR BEACHFRONT COHASSET HOUSE , ORIGINALLY $10,000, FOR $65,000 AND MOVED TO WESTWOOD.  A CRYSTAL BALL WOULD HAVE BEEN HELPFUL.  BEACHFRONT DWELLINGS ESCALATED TO THE MILLION-DOLLAR RANGE.

FROM DRAFT OF ORIGINAL LETTER TO MOTHER

ED ALLEGEDLY WANTS TO LEAVE A PARTY???  IT NEVER HAPPENED.